Politics of sexuality, poetics of originality: early retranslations of Oscar Wilde’s “The Happy Prince” into Turkish


TELLİOĞLU B.

Middle Eastern Literatures, cilt.28, sa.1, ss.58-79, 2026 (AHCI, Scopus)

  • Yayın Türü: Makale / Tam Makale
  • Cilt numarası: 28 Sayı: 1
  • Basım Tarihi: 2026
  • Doi Numarası: 10.1080/1475262x.2025.2605994
  • Dergi Adı: Middle Eastern Literatures
  • Derginin Tarandığı İndeksler: Arts and Humanities Citation Index (AHCI), Scopus, IBZ Online, Arab World Research Source, Index Islamicus, Jewish Studies Source, MLA - Modern Language Association Database, Religion and Philosophy Collection, Index to Jewish Periodicals, MLA International Bibliography, Academic Search Ultimate (EBSCO), Humanities Source Ultimate (EBSCO)
  • Sayfa Sayıları: ss.58-79
  • Anahtar Kelimeler: Retranslation, (self-)censorship, gender and sexuality, Turkish modernization, Oscar Wilde
  • Kırklareli Üniversitesi Adresli: Evet

Özet

This article examines the early retranslations of Oscar Wilde’s “The Happy Prince” published in Turkey between 1923 and 1945, a period marked by nation-building and modernization efforts of the Turkish Republic. Notable for its homoerotic content and frequent retranslations, the story serves as a lens to explore how same-sex sexuality was addressed in translation during an era that prioritized heterosexual norms. Situating these retranslations within the socio-political context, the study highlights the dynamics of heteronormalization and its intersections with modernization. A comparative analysis of the retranslations reveals that overt censorship attempts remain minimal. This is interpreted as a reflection of the unique dynamics of the politics of sexuality during the era and, in particular, the adoption of a modern translation paradigm–termed here the poetics of originality–that privileged the foreign text over its translations.